Typography - Task 2: Typographic Exploration and Communication
Cherilynn Farrencia Faustine/0384745
TYPOGRAPHY/ Creative Media/ Taylor's University
TASK 2 - Typographic Exploration and Communication
TABLE OF CONTENTS
<click to jump>
1. Lectures
2. Instructions
3. Task 2 — Typographic Exploration and Communication
b. Digitization
c. Final Result
4. Feedback
5. Reflection
LECTURES
WEEK 5:
1. Typo_5_Understanding
This lecture is talking about understanding letterforms.
A. Letters
The uppercase may look symmetrical, but actually isn't. The width in the left and the right is different. It is because an optical reason to make it look nicer. Even a small curves in fonts could affect the readability. Consistency in designing typefaces is important.
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| Figure 1.1, Letters |
B. Maintaining x-height
The curved strokes such as 's' must rise above the median in order to appear to be the same size as the other letter.
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| Figure 1.2, Maintaining X-Height |
C. Counterform
This is really important in typeface design, because it aims in the reading and legibility of formatted text of letterforms. When you have too much space, you are reducing the readability. We have to examine them in close detail to understand the form and counter of a letter.
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| Figure 1.3, Counterform |
D. Contrast
This is one of the Design principle. Contrast creates impression of the
typefaces.
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| Figure 1.4, Contrast |
1. Typo_6_Screen&Print
This lecture is talking about typography in different medium:
In the past, typography was viewed only when it was printed. Nowadays, typography exist not only in paper but on screen. The experience of typography today changes based on how the page is rendered.
Print type: The characteristic are elegant, intellectual, and readable ->Caslon, Garamond, Baskerville
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| Figure 1.5, Typography for printing |
Screen type: Versatile, has a neutrality. Often modified to enhance readability and performance on screen. Typefaces used in screen are more open spacing -> Verdana, Georgia
Font Size for Screen: 16px text on screen=text printed in a book/magazine
System Fonts for Screen (Web safe fonts): The web safe fonts appear across all operating systems -> Open sans, lato, Arial, Helvetica, Times New Roman, Times, Courier New, Verdana, Georgia, Palatino, Garamond.
Pixel Differential Between Devices: the text on screen differs in proportion, because they have different size pixels. Ex; 100 pixels on a laptop is not the same with 100 pixels on a big 60inch TV.
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| Figure 1.7, Pixel Differential Between Devices |
Motion typography usually used in the brand identities of film and television production companies, contains animated type. Motion typography has developed to become expressive.
In this task, we are given 3 text to choose 1 and make it into a typography layout in InDesign. From the three text, I pick the second one, "Punk's Design Revolution: Breaking the Rules." Because it seems interesting.
a. Ideas & Sketches
First, I search through Pinterest to collect as many ideas as possible. These are the pictures that best represent my concept.
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| Figure 2.2, Task 2 First Attempt |
b. Digitization
After sketching, I started to digitize it. Mr. Vinod said that it is okay to make the title in adobe illustrator. So, I make the title's drafts in my Illustrator. Starting it, I tried it out with the 10 fonts that are given by Mr. Vinod. I was thinking to pick a bold sans-serif font because I want it to look modern and could be distorted a bit (shredded), and I finally choose Futura Std Bold Condensed font for my layout.
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| Figure 2.3, Font Testing |
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| Figure 2.4, Digitization Title "Punk's" (1) |
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| Figure 2.5, Digitization Title "Punk's" (2) |
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| Figure 2.5, Digitization Title Draft 2 |
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c. Final Result (PNG & PDF)
HEAD
- Font/s: Futura Std Bold Condensed/Futura Std Light Condensed/Futura Std Medium Condensed
- Type Size/s: 222pt/167pt/102pt/81pt
- Leading: 0pt
- Paragraph spacing: 0pt
BODY
- Font/s: Futura Std Book/Futura Std Heavy
- Type Size/s: 10pt/22pt
- Leading: 13pt/25.3pt
- Paragraph spacing: 13pt/11.3pt
- Characters per-line: 55
- Alignment: Align left
PAGE MARGINS
- Top + Left + Right + Bottom: 12.7mm + 12.7mm + 12.7mm + 12.7mm
- Columns: 4
- Gutter: 5mm
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| Figure 3.1, Final Result |
<iframe src="https://drive.google.com/file/d/16GXTgwzWaWKQT1jSuSpdGNNY9KEX5COY/preview" width="640" height="480" allow="autoplay"></iframe>
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| Figure 3.2, Final Result (Grid) |
- Change the body text leading into 13pt (initially 12pt) because Futura typeface have a longer ascender, so the readability is better when it is 3pt higher than the body text size.
- Could add pull quote
- The title could be more diverse, don't just emphasize the "PUNK'S" but also the other too.
- For the second layout, move the "punk" to the left, "design" to the right, and also find points of alignment also for "breaking the rules."
- Pay attention to the paragraph spacing
- Make the text bigger (outside the margin)
- Make the "Breaking The Rules" in 1 line
- Be careful with gutter, it depends on the layout.
https://leia-tatucu.com/blogs/news/negative-spaces-in-art
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| Figure 4.1, Transforming Spaces: The Artistic Use of Negative Space by Leia Tatucu |
This blog covers the using of negative space, why does it plays a crucial role on a design, history, psychological impact, technique, and even the practical uses in design. Ever since I learn typography, I feel like negative spaces always leave an unusual impression for me (in a good way, like an abstract spaces but it still looks good) and this blog explained that well. The ambiguous feeling of seeing the spaces can be the main point to make it look attractive, making people curious. This is one of the psychological impact that are mentioned in the blog. Negative space is not just a white space, it plays a big role and dan transform the way we see the art/designs.
(I seek for websites that are discussing about negative spaces because I'm curious about it. I just realized that negative space can easily change people's perspective on the design).




















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